[1] Naftali Bezem, Boats, Immigrants, Parents and Cabinets, Tables and Chairs, Blessing the Candles, Lions and Fish, Plants (Ramat Gan: Masada, 1972), 14. [2] Robert Jay Lifton, "Witnessing Survival," Society 15 (March/April 1978): 43. [3] Gabrielle Rossmer, artist statement (unpublished, typed manuscript), 3. [4] Mary Jane Jacob, "The Artist in Society," Kunst Arbeit (Chicago: State of Illinois Art Gallery, 1992), 2. [5] Rochelle Segal, ''On Exhibit: A Jewish Artist Confronts the Swastika,'' Reader, 26 Nov. 1993. [6] Gabrielle Rossmer, In Search of the Lost Object (Boston: The Space, 1993). [7] Ibid. [8] Rossmer, artist statement. [9] Rossmer,In Search of the Lost Object, 4. [10] Gabrielle Rossmer, artist statement (unpublished, typed manuscript), 1992. Unpaginated. [11] Gerda Meyer-Bernstein, artist statement, Gerda Meyer-Bernstein (Chicago: Beacon Street Gallery, 1993), 7. [12] Ibid. [13] Gerda Meyer-Bernstein, Political Visions: Installation und Objekten (Berlin: Neuer Berliner Kunsverein, 1987). [14] Karen Boren Swedin, "To Forget the Past is to Kill Twice," Today, 5 April 1991. [15] Pier Marton, artist statement, JEW (Chicago: Spertus Museum, 1990). [16] Gary Reynolds, "Public Secrets/Private Revelations," Changing Channels (Minneapolis: UC Video, May 1985), 6. [17] Mary Jane Jacob, Artist in Society, 4. [18] Ibid., 5. [19] Edith Altman, artist statement, Exodus Repair, (Akademie Der Kunste Berlin, 1986). [20] Pearl Hirshfield, unpublished artist statement.